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America’s Best Dance Crew is down to its top two crews. Voting is going on this week and the winner will be announced at the finale show this Thursday.

I find it interesting to see the type of web presence each crew– Beat Freaks and Quest Crew has. Does it have any bearing on their dancing? No. But this show is not just about dancing; it is a popularity contest as well. Fan votes will ultimately determine who wins, and the web has become an important additional factor in rallying their bases.

Beat Freaks

Beat Freaks have fully utilized the social networking tools at their disposal. They are doing a good job of engaging their fans. None of it– aside from the Freak the Vote site– is anything that you can’t make for free. This is the underdog group in the sense that they don’t have the same recognition as Quest Crew. They

They have a wordpress blog with a populist feel to it. Lots of fan appreciation and interaction. It is frequently updated and pulls in youtube videos and fan submissions.

There is also a facebook fan page

A FREAK THE VOTE website– this looks like the official site. It is a professionally created and hosted site with voting information. It has a retrospective of their performances if you want a quick refresher. I initially thought the crew had engaged a publicist to create and maintain this page for them. Then, I noticed something on their blog that says: “FREAK THE VOTE! is a 3 month movement strategy to create awareness of the BEAT FREAKS participation on Mtv’s America’s Best Dance Crew.  We are a pro-bono, non-profit grassroots movement of Fans.”

A YouTube channel featuring professional-quality interviews with each crew member, and favorited videos of them and other dancers.

A fan created MySpace page that aggregates a lot of information about the crew and has things such as fan-submitted dance videos.

BeatFreaks on Twitter. Very actively used to notify followers of new videos, blog posts, and of course, how to vote.

Quest Crew

I had to giggle when I saw their official website, which includes member bios, photos, videos, and booking information. Mr. P said the other day that he thought Quest sounded more like a corporation than a dance crew. The source of the giggle was the mission statement on their website. Yes, mission statement. And a very corporate sounding one at that (excerpt: “to provide awareness of the facility that remains a viable resource of knowledge and growth for the community” tell me how this appeals to the average ABDC viewer).

The group has a MySpace page though they haven’t used it much to promote themselves for the show.

There is a Facebook page, but likewise it is not very active nor has it been used much in the service of the show.

I searched for, and was unable to fine, a blog or a twitter feed.

With So You Think You Can Dance alums Hok, Dominic, and Ryan on Quest crew, it’s no surprise they have a more established feel on the web. The slick official website definitely has a publicist behind it. Is this a good thing for a popularity contest? Not so sure. On one hand, I’m more drawn to the populist feel of Beat Freaks. It makes me feel like my vote is more appreciated. In fact, most of the existing web content for Quest Crew appears to pre-date America’s Best Dance Crew. There’s something to be said for branding, but this is pretty static.

In the contest for best web content and best use of social networking to mobilize support, there is no contest, the Beat Freaks win. Now, let’s see who wins the dance and popularity contest on Thursday. This is a pretty equal contest in terms of originality and dance prowess. Could web presence play a part?

What did you think of America’s Best Dance Crew last night?

Though I haven’t written much about it, I have been following the show on and off this season. I think there is some amazing dancing on this show, which really showcases the diversity of hip hop. I love that they had a clogging group and I love that they made it as far as they did. I also love that female groups did as well as they did this season, outnumbering the men 2:1 in the top three.

Ultimately, Fly Khicks, the female group from Miami, was eliminated, leaving the Beat Freaks and Quest Crew (which Mr P thinks sounds like a rather corporate name) heading into the finale. I think this is a good top two. Strikers All-Stars, the step crew from Florida would have also merited a place at the top. Ultimately, it came down to the two groups with the most physical prowess and the most unique flavor.

I just love what the Beat Freaks have done, showing that women can go head to head with men in some of the craziest, most difficult moves such as head spins and threading. They have upper body strength and control that even most men can only dream about.

Quest Crew has some familiar faces– Dominic (or D Tricks as he’s calling himself on this show) and Hok– from So You Think You Can Dance. That gave them a familiarity advantage in the beginning, but they truly belong at the top.

I have no idea who deserves to win. I think that Quest did slightly better last night in terms of leaving their mark than Beat Freaks, but I’m going to have to review videos from the season before I can figure out who deserves to win.

A million thank yous to Salsa Gigolo for bringing this MadTV spoof on So You Think You Can Dance and the presidential race to my attention. Not only was the Baroque Waltz hilarious, but the judge impersonations were totally spot-on.

I’m still wiping the tears from my eyes.

In case you haven’t noticed, I haven’t blogged at all about this season’s So You Think You Can Dance. At first I was feeling bad that I was letting my readers down, but this is my blog, not yours, and let it be known that I am taking a break from TV right now. It’s not so much an intentional thing, but a time issue. I am in either rehearsal or class pretty much every night and weekend day. When I’m not dancing, I’m spending time with the real life human beings that I care about– my husband, my family, my friends. Real life rocks and I’m enjoying every minute of it. Given the choice, I’d rather be dancing (or at least participating in the dance of life) than watching it on a little screen.

Philosophizing aside, maybe the excitement of these shows has worn off for me. After so many years where dance was not the thing to do on TV, it was so thrilling to have shows like SYTYCD that brought dance back to the awareness of the public. Now we have almost reached a saturation point where there is a dance show on pretty much every network and channel, of varying quality and target demographic. I think it is great. There used to be just one or two nights where I could watch the one show on TV where people danced. That’s why it was so sacred to me not to miss it. In some ways, it also inspired me to want to dance more and dance better. It also in some measure inspired me to seek out real life dance watching opportunities, to delve into the distinctions and overlaps between art and entertainment.

We are now in the fourth year of this era of dance on TV. The public is now more educated about dance, and hopefully that will translate into inspiration to dance and see dance in real life as well. Judging from the number of blogs and blog posts that have exploded on this topic in the last year, the dialogue is alive and well.

 

…is that one of the contestants (the high school teacher from Miami…forget the name) danced to one of my favorite salsa songs, Aguanile by Hector Lavoe. It’s great to see such a good salsa song get mass media exposure.

An enterprising LJ-er scoured the net to find out what past So You Think You Can Dance contestants are up to now.  Among the highlights:

  • Musa Cooper is touring with Alicia Keyes
  • Jaime Goodwin will be a principal dancer in High School Musical 3
  • Lauren Gottlieb is on tour with Mariah Carey
  • Neil Haskell is in Altar Boyz (off Broadway musical)
  • Blake McGrath is a judge for SYTYCD Canada.

Many more contestant updates here.

Thanks to Beto for sending in the link.

I haven’t really been able to watch the show this season. As usual I am busy busy busy and have not been able to be at home when it is on. I’ll make more of an effort (or at least try to remember how to program my VCR…yes, I still use a VCR) when we get to the top 20, but in the meantime, what do people think of the new season so far?

Dude, I can’t believe I spaced out on the season premiere of So You Think You Can Dance. I caught the tail end of the second half of it tonight, with the LA leg of the auditions. The judges went gaga over a girl with bad technique, dance competition-esque fake smile and awkward choreography. I enjoyed the latin ballroom couple, and the guy who popped and locked was ridiculous.

I kind of wish something felt different from previous seasons, but the judges are the same and are acting the same. Mary’s laugh entertained me for two seasons, and now it’s just plain annoying. I’m looking forward to getting to the top 20. I always find the audition process relatively annoying.

The title of this post is an age-old philosophical question, but I think it’s good to ask ourselves this question from time to time. Particularly as dance becomes a more common element in mass media, it’s important to think about what we value in dance and in art. Some might argue with even the practice of putting labels on things, but this is a blog about dance, I am passionate about dance, and given that, there are obviously some boundaries in my mind as to what constitutes dance and what does not.

I also ask, is all dance art? And if all dance is art, then how do we classify movement that is not art? What is art?

The source of all this soul-searching was this video that Loren sent me:

Without question, this is an incredible video. According to YouTube, these are the 100 dancers and acrobats of the Great Chinese State Circus; I believe the title for the work would be “Swan Lake on LSD.”

The ballet in this is not bad at all. Very technically proficient, and beautiful lines. I can’t fathom the amount of center and control it takes to dance en pointe on that guys’s head and shoulders while he is walking around. The frogs were very frog-like and very entertaining. But I ask, if all the acrobatics and head pointe dancing were taken out, would this video have had over 3.3 million hits on youtube? More importantly, would it be seen as anything special by dance and art lovers, other than another nice execution of swan lake?

Are acrobatics dance? Are acrobatics art? The following video of the Pilobolus “Dance Company” (I’ve added the quotation marks, more on that later) made me ask those two questions when I first saw it on Ariel’s blog:

For me, this is definitely art– a fantastically creative and sculptural treatment of the human body. But I’m not so sure that it’s dance. To me it falls more into the categories of acrobatics and contortionism.  Yes Pilobolus calls itself a dance company. Is that because it holds that movement + art = dance? Yet take some of the mindless pap you see on shows like Dancing With the Stars…it’s definitely dance, but it sure ain’t art. At least not in my book. Even on the shows I enjoy, such as So You Think You Can Dance, acrobatics are often thrown in the mix in order to pander to attention-deficient viewers who need explosive movements and crazy physical feats to hold their attention. The line between dance and acrobatics is often blurred, as is the line between what I consider art and what I would not consider art, but nonetheless find fun and entertaining.

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