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I don’t know if it’s too much yoga and not enough dance, but I can’t seem to find the inspiration to write much lately. Personal blogs are interesting that way; they do tend to come and go, ebb and flow with the whims of the writer. Similarly, my blogroll changes as blogs I follow change or fall into inactivity. Not that I’ve been reading many blogs lately either. But here are a few that I enjoy following lately.
Apartment Therapy – If you live in a small space like me, those lavish spreads in traditional design magazines and blogs are hard to relate to. Apartment Therapy is a blog/web magazine that gives inspiration to those of us who don’t want to sacrifice style in tight quarters. From inspiring color schemes to unique ways to jazz up an entryway (or the wall by your door if you don’t technically have an “entryway”), I have gotten many ideas from this blog that I’ve been able to apply to my own living space.
This is Why You’re Fat – Only in America… Bacon, deep frying, and food-on-a-stick feature prominently on this blog of all culinary creations obscene. Yes, it’s an offensive name, but let’s face it– if you ate stuff like this on a regular basis, I don’t see how you could be skinny (or healthy). I dare you to look through such creations as The Bacone (A bacon cone filled with scrambled eggs and country gravy topped with a biscuit) or the Fat Sam (Cheesesteak sandwich with chicken fingers, french fries, mozzarella sticks, ketchup, lettuce, tomato, bacon, and topped with egg and hot sauce) without giggling just a little bit.
Jodi’s Blog – I always enjoy following my friend, the talented artist Jodi Hoover’s blog. But never have I enjoyed it more than in the last few days as she blogs The World Beard and Moustache Championships. Jodi’s husband Mickey proudly represented Maryland with his full face of hair. I can’t tell you how entertained I have been reading about the Parade of Beards, and the politics of the World Beard and Moustache Association, and The Beards, an Australian band that, as Jodi explains, “They sing songs about beards for people with beards.”
What did you think of America’s Best Dance Crew last night?
Though I haven’t written much about it, I have been following the show on and off this season. I think there is some amazing dancing on this show, which really showcases the diversity of hip hop. I love that they had a clogging group and I love that they made it as far as they did. I also love that female groups did as well as they did this season, outnumbering the men 2:1 in the top three.
Ultimately, Fly Khicks, the female group from Miami, was eliminated, leaving the Beat Freaks and Quest Crew (which Mr P thinks sounds like a rather corporate name) heading into the finale. I think this is a good top two. Strikers All-Stars, the step crew from Florida would have also merited a place at the top. Ultimately, it came down to the two groups with the most physical prowess and the most unique flavor.
I just love what the Beat Freaks have done, showing that women can go head to head with men in some of the craziest, most difficult moves such as head spins and threading. They have upper body strength and control that even most men can only dream about.
Quest Crew has some familiar faces– Dominic (or D Tricks as he’s calling himself on this show) and Hok– from So You Think You Can Dance. That gave them a familiarity advantage in the beginning, but they truly belong at the top.
I have no idea who deserves to win. I think that Quest did slightly better last night in terms of leaving their mark than Beat Freaks, but I’m going to have to review videos from the season before I can figure out who deserves to win.
One feature that I think is universally appealing to dancers is hardwood floors. Even though the studio is small, Curry seems to have left some empty floor space, just enough to do some stretching or practice in place.
One thing that’s frustrated me about being a renter in Northern Virginia is the severe shortage of housing with wood floors. If I have to live in another apartment with wall-to-wall carpeting I’ll go crazy.
These are just too cool:
They are 2″ x 2″ with a clear image of President-Elect Barack Obama as he appeared on the Ellen Degeneres show dancing.
The caption reads: “Dance Yes We Can”
On the back: “Dance Yes We Can AND Will; http://www.dancemetrodc.org”
We intend to flood the city by the time of the inauguration with these great reminders to our new friends in this new administration that Dance and all the arts are a part of the dialogue!
$6 for one button
$10 for two buttons
Proceeds to benefit Dance/MetroDC’s Dance is the Answer programming
To order your buttons, please email your name, address, phone #, and how many buttons you would like to order to email@example.com
If the blog looks different, I’m playing around with some new designs. I’ve never changed the design since I started the blog and thought it was time for a new look. Let me know what you think.
I was very saddened to read that Cyd Charisse, an inspiration to me and a highlight of Hollywood’s golden age of musical cinema, has died at the age of 86 (link is to NYT article). From the moment I saw her in Singin In the Rain I knew I’d found my style and dance icon. She will live on on the silver screen.
She said her husband, the singer Tony Martin, could always tell with whom she was dancing. “If I was black and blue,” she said, “it was Gene. And if it was Fred, I didn’t have a scratch.”
(from the NYT Obituary)
I said in my last post that I’d be writing about a new challenge I’ve embarked on and the new experiences and lessons that have come with it. What is it you ask? Ok, the title of this post gives it away, but all I have to say, is: Broadway, get ready, ’cause I’m on my way! Not so fast, this is community theater.
A little while back, a coworker who’s heavily involved in community theater forwarded me an audition announcement. They were looking for dancers. The musical, only one of my favorites of all time, was one that I knew backwards and forwards, having listened to the soundtrack a bazillion times with my sister when we were younger.
It was an opportunity I’d sort of been waiting for in the back of my mind. Unless you count being in the orchestra pit in high school way back in the day, I’d never done theater before. A lot of musicals have some amazing dancing, and they look like so much fun. More fun than some of the dance performances I’ve been involved with, dare I say…I figured the dancing in it would be latin-ish, so I might have something to bring to the table. The one catch was that I would have to sing, but my coworker assured me I just needed to be able to carry a tune. That I can do, though I can’t speak to the quality.
Bottom line: I had nothing to lose and figured the audition process would be a fun experience that would fortify me for the future. I had absolutely no expectation of making the cut. In the end, I think this gave me the ability to be relaxed and to be myself.
First, I had to pick a song. I’ve got a low range, so I went with Big Spender from Sweet Charity. Another good choice, as it allowed me to show my sassy side. I downloaded the sheet music and the song and sang along with it a bunch of times by way of practicing.
When I got to the audition I had to fill out a form stating availability, experience, part auditioning for (dancer, of course), and some other stuff including my “age range,” basically the ages I felt I could convincingly portray. I asked about this and was advised to go ten years younger and ten older. As I waited to be called I asked the other auditioners if they had any advice, since it was my first time. “Be charismatic” seemed to be the main tip.
I’d asked my friend if I should dress the part, and she told me not to as you don’t know what they have in mind, so it’s best to be a blank slate. When I got there, all the women seemed to be wearing red dresses (going with the latin-ish theme). Though I was dressed to dance, I was also funnily enough wearing a red shirt with black pants.
We were brought into the audition room in a group of five. I was to go last. As each person finished their audition, they left the room, so I actually auditioned in front of the judges only. I’m not sure if that helped my nerves or not, but I focused on charisma, and tried to move as naturally as I could while singing, despite having noticed the others stood still while they sang. Then again, none of the others seemed to be trying for a dancing part. A couple sashays and arm flourishes actually elicited a couple saucy “oohs” from the judges so I think that tactic worked. After the singing, the judges were most concerned about rehearsal and performance conflicts. One girl immediately got cut because she would be in Greece for a month during rehearsals (duh). After that was verified, each person was asked to do a chaine. Except for me– they said since I was a dancer I obviously knew how to do chaines and I could do choreography during callbacks.
I was a little miffed that I was all dressed to dance and couldn’t even do a chaine, but also a little psyched because it seemed I was making callbacks. Sure enough, the call came pretty soon that I was to attend callbacks a few days later. That’s when I started getting nervous. I hadn’t actually planned on making it that far!
At the callback, all those trying out for lead and dance parts had to learn a combination. It was moderately challenging and technical and took me a couple times to learn fully. Definitely more ballet than latin. I thanked my lucky stars I’ve been going to ballet class lately. Thinking back to the advice I got, I tried to focus on charisma, and on really nailing the moves that felt natural to me. It was impossible to tell what was going on– there were a number of expressionless judges and they kept assigning people to different places in the lines and moving the lines back and front. I have no idea how they kept track of anything, nobody even appeared to be taking notes. They may have been but it almost seemed they were going on memory alone.
I should note that there were tons of women that auditioned and not so many men. The dancing of the men left, for the most part, much to be desired. It was clear that as usual, the fiercest competition in dance is among women.
After the dancing portion, everyone else was brought into the room and we had to sing an excerpt from one of the show’s big choral numbers. No harmonizing was required, and the director moved rather quickly through the room to see how each person was blending with the group. Again, no visible note taking. I have no idea how they did that with so many people trying out. It was eerie.
At that point the audition was over. . .I honestly had very few expectations for myself. Not because I thought I did a bad job, but because I’ve never done theater before, and there were so many people auditioning I didn’t know if I’d stood out or would meet their casting guidelines. Still, I felt hopeful to have the opportunity for a new experience, and for a musical I love so much on top of that.
Stay tuned for the next installment to see if I got the part!
iGoogle, the personalized homepage version of Google, has rolled out a dizzying array of artist themes with which to customize your web searching experience. There is everything from Jeff Koons, to Diane von Furstenberg, to the Wiggles. Imagine my delight when I found Mark Morris — the only dance company for the time being– among the options. Now every time I go to Google, I am greeted with a different image of my favorite dance company.
Here’s a screenshot of how it looks. Click for a larger version. There’s no mention on the Mark Morris dance company’s website about how this came to be, but what great exposure! I wonder if google plans to include more dancers in its artist lineup.
Ok, I’m four days late, but better late than ever
First things first. By consensus of my readers, the mysterious circle-worshiping necklaces are apparently wireless microphones. It’s a sneaky way to do it and explains why there was some creative accessorizing with scarves this week to try to disguise them. Yes, the viewers have caught on. Seriously, half my traffic this week was driven by folks googling “step it up and dance circle necklace.”
My assessment of Step It Up and Dance‘s episode 4 was summed up by Nick this week, when he said “twenty years of ballet class down the drain.” Read the rest of this entry »
I was finally able to catch Bravo’s new dance show, Step It Up and Dance, tonight during its first showing. The nice thing about Bravo is that they rerun shows a lot, so I’ve been able to watch the first two episodes as well.
This show is definitely starting to grow on me and I really enjoyed this third episode.
SIUAD (as I shall hereafter call it…pretty ugly acronym if you ask me but the whole title is too long to type) follows the tried and true Bravo reality competition show formula that started with Project Runway. The host is a model/actress type, there is a middle-aged male mentor, and several judges– 2 fixed the others rotating. There is generally some sort of fast challenge in the first part of the show which will determine things such as teams and immunity for the second, longer elimination challenge. Someone is eliminated each week, but not before the show’s proprietary goodbye catchphrase and final instructions by the hostess. Project Runway and Top Chef have pretty utilitarian final instructions to the effect of “now go pack up your shit (i.e., knives/sewing supplies) and leave.” SIUAD’s is the painfully contrived, “It’s time for your last dance.”
SPOILER ALERT: DO NOT READ ANY FURTHER IF YOU HAVE NOT SEEN EPISODE THREE AND DO NOT WISH TO KNOW WHAT HAPPENED OR WHO WAS ELIMINATED