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Eric Luna and Georgia Ambarian were two of the bright spots in the TV debacle called Superstars of Dance. Hailing from Fort Walton Beach, Florida, they represented the US in the couples category.

I would love to take some partnering tips from these two; they make everything look so unique and effortless. Of course, if probably helps that she’s teeny tiny and he has enormous muscles, but I have a feeling that’s not really their secret. They manage to make all those lifts and tricks into something more than just pandering to the audience. There is something real and fluid behind it. They are calling this style cabaret; I’m not quite sure how cabaret is defined, but it certainly has a Cirque de Soleil feel to it, with more of a focus on shapes than on patterns and rhythm. According to their webpage, they are the three-time world champions in this style.

Here they are on Dancing With the Stars, with James Blunt:

I like this one less as it is more competition-y, but you can still appreciate what they do:


Thanks to Clinton Yates over at the DC Express Blog Log for featuring my post on Superstars of Dance in both the online and print version. It was so cool to open up my free daily paper on my morning commute and see my words in print. If you’ve come over from Express, welcome!

This is actually the second time Express has linked to me, the first time was on November 20, for my post on Rahm Emanuel’s ballet background. This is the kind of stuff that makes this unpaid writing pasttime so rewarding.

While we’re on the subject of Superstars of Dance, did anyone watch the second installment last night? Did it get any better? Any particular dances we should check out on YouTube?

I had such high hopes for NBC’s new show, Superstars of Dance, but in the end it was a disappointment. There were a few nice moments, but ultimately, I turned the TV off before the show ended.

Superstars of Dance is billed as an international dance competition, with categories for solos, couples, and groups. It is hosted by Michael Flatley (aka The Lord of the Dance) and Miss USA Susie Castillo. The executive producer is Nigel Lythgoe, which explained why the whole thing felt like a sort of second-rate So You Think You Can Dance reunion.

Countries represented in the show are the USA, Russia, Argentina, China, South Africa, Ireland, Australia, and India. There is a judge from each of those countries, who must sit out on the voting when their own country performs. I was frustrated that not all the judges were introduced. I would have liked to know what their dance background was. A friend mentioned this morning that it felt like they were trying to make the show into a faux Olympics, complete with the conversation with the dancer and the “coach” afterwards.

A lot of the dancing was sort of ho-hum. Some of it was spectacular but more for a “wow” factor than for artistic quality. For example, a modern/hip hop group from Australia had fantastic tricks and rhythm but it wasn’t anything close to a revelation– more like pandering to people whose ideals of dance are formed by MTV and SYTYCD. Robert Mourain, the one-trick pony we saw doing contortionistic popping and locking on SYTYCD was back representing the US in the solo category; why? Also, talk about perpetuating sterotypes…why are Riverdance-type dances the only ones representing Ireland. Could it be because of Michael Flatley’s role in the show? It was so cheezy.

The two high points for me were the couple representing the US (Eric Luna and Georgia Ambarian) whose partnering skills I really admired, and the Argentine tango. Despite the horrible camera work and mediocre production format, they managed to keep it together and show viewers a peek into their art.

The low points were pretty much all in the solos. In particular, China. The woman danced with such long scarves it was hard to see any body movement. It was supposed to be a traditional folk dance, but it was set to a euro dance beat. The “Zulu” dancer representing South Africa looked more like a Rockette with all the high kicks than any African dance I’ve ever seen (feel free to call out my ignorance here if I am totally off the mark).

Too bad that another dance show has come up short. I’m glad to see so much dance on TV now, but we definitely need a quality increase. Some new faces would be good too. Nigel Lythgoe changed the face of TV with American Idol and SYTYCD, but it’s time for some fresh ideas. On the upside, my Monday nights are still free so I can go to dance class.

I just signed up with Twitter. I’ve decided it is the solution to my aborted post problem. That is, I start so many posts and then abandon them before I get to far. Twitter will allow me to get those quick little thoughts, links and observations up more efficiently. To follow me, check out my Twitter feed at the top of the lefthand sidebar, visit my Twitter page, or put it in your feed.

I’ll be testing out Twitter this evening as I watch the first installment of Superstars of Dance.


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